Il progetto foto-videografico “Bitumen” vuole renderci consapevoli del cambiamento che stiamo vivendo in termini di qualità di vita nelle città e di preciso Roma. L’esperienza concettuale descrive la melodia risultante della città generata attraverso un processo di documentazione, analisi, rappresentazione, interpolazione e storytelling creativo.
Quale sarà il futuro delle nostre città? Tra mostri strutturali dei sobborghi e sprazzi di brezza contemporanea proseguendo verso il centro della città, la città vibra e i suoi contenuti riflettono la quotidianità in evoluzione.
> Bitumen – Piazza Conca d'Oro, Roma.
– City sounds –
The multimedia “Bitumen” project wants to make us aware of the change we are experiencing in terms of quality of life in the cities and precisely Rome. The conceptual experience describes the resulting melody of the city generated through a process of documentation, analysis, representation, interpolation, and creative storytelling.
What will be the future of our cities? Between structural monsters from the suburbs and contemporary flashes continuing towards the city center, the city sounds and its contents reflect the changing everyday life.
“From withered lights to dancing shadows,
From the winter garden to the romantic nocturnal bridges.
Here is Rome.”
“Anaesthesia” is a [Limited ed. of 50 printed books] Graphic project perfect bound 21×21 cm, cover Rembrandt stipple textured uncoated 300 gsm, paper type gloss coated.
The photographs are accompanied by a story, in two languages (Italian and English). You can request a copy or buy 400 mm x 267 mm Hahnemühle Photo Rag Giclée prints.
The lens-based project “Anaesthesia” wants to propose an ironic and embarrassing scenario, culminating in the synaesthetic winter garden in motion, Rome. The functional two-dimensional representation becomes land of conceptual abstractions and symbolism, the substratum for different expressive languages. On show the syntactic disobedience of poetic lights in new an-aesthetics. Is deepened the being’s nature, relating to harmony and beauty without gender boundaries. The woman moves along the time looking for her own reflection or evanescent image. The contortions play an imperfect perfect balance. All around, the context disintegrates or closes the figure, placing the accent on the wandering body that spread the light, sometimes elusive shadow of the self projected into a small bourgeois Eden and at times decadent. The tree and the sun become metaphors and objects reflected, allusions, memory. Anaesthesia is a semi-conscious emotional journey, where tangible boundaries fade and reality plays new roles in the mirror. Hence, desires are transformed into estrangement.
Model: Maria Rosaria Mingione, Yanira Morales Fabbro.
at Casa della Cultura of Villa De Sanctis in Via Casilina 665, Rome
INTERVISTA 2018 IN LINGUA ITALIANA IN FONDO ALLA PAGINA.
I’m pleased to show you my last project, it’s called “ Synaesthesia – Do you want to see the Music? “ .
I encoded a new coloured standard applied to an instrumental canvas, the aim is to create a new simplified musical code meant to be played by two or more instruments through a unique tetragram. Thus I chose a song, “The Sound of Silence” by Simon and Garfunkel, and I translated the old staff notation into my instrumental canvas, so you can see the music that glitters through coloured bright stars, the led points of the tetragram.
Installation Art exhibited at Art Map 2016
The Toy Museum, Ponte de Lima, Portugal
ContestVolume Lazio Creativo 2017 (Dec 2016)
Regione Lazio, Lazio Creativo, Lazio Innova.
100 Stories of creativity under 35.
Intervista #livesocial di Emilio Giordani Martedì 11/09/2018 su RadioRomaCapitale (FM 93.00)